摘要
文学的公共性是指文学具有这样一种性质,即代表个人在文学公共领域发声、文学活动成为公共舆论的一部分,以达到对公共权力进行干涉或抗衡的目的。要重建新诗的公共性、走出集体抒情式的公众诗歌范式,必须要使诗歌回归个人,以个人性的建立为前提。以于坚为例,第三代诗歌"书写日常生活的诗意"、"口语化写作"和"拒绝隐喻"的主张,契合了建立诗歌个人性的要求,个人性诗歌成为带领诗歌走出公众性、走向公共性的桥梁。
The publicity of literature refers to the property that literature reflects individual ideas in public sphere in literature and that literature activities are part of public opinion to achieve the goal of interfering and balancing public rights.In order to reestablish the publicity of modern Chinese poetry and get rid of the collective lyrical mode,we have to return the poetry to individuality with the premise of the establishment of individuality.Taking Yujian for instance,the propositions of the third generation poets’writing daily life’,’writing in the colloquial style’and’rejecting metaphor’meet the requirement of establishing the individuality of poetry,so that individual poetry could be the bridge to lead the Chinese poetry out of collectivity to publicity.
出处
《长沙理工大学学报(社会科学版)》
2013年第3期37-41,共5页
Journal of Changsha University of Science and Technology:Social Science
基金
重庆市社科规划项目"中国新诗的‘公共性’研究"(2012YBWX087)
关键词
公共性
个人性
于坚
日常生活
口语化写作
拒绝隐喻
publicity
individuality
Yu Jian
daily life
colloquial writing
rejection of metaphor