艺术美学视阈中的二胡艺术

Erhu from the Perspective of Aesthetics of Arts

近代以降,二胡艺术日臻成熟,已成为一个独立的艺术门类,而且是频频走出国门、深爱世人喜爱、具有鲜明中国民族特色的一种器乐艺术。为了发展和提高二胡艺术,我们需要从艺术美学的视阈去探求和审视二胡艺术近似人声的韵味美、隽永幽深的意境美、柔和流畅的线条美、温柔敦厚的儒雅美、张驰有度的中和美,从而探求其中美的规律,进而提高二胡的艺术品味,促进民族乐器艺术更大的发展和繁荣。

The arts of Erhu have become more and more mature from the Qing Dynasty, and have been defined as a separate subject in fine arts. Meanwhile, Erhu is preferred by Chinese and some foreigners as well, and is of unique Chi- nese features. In order to improve and advocate the arts of Erhu, we need to probe into Erhu from the perspective of aesthetics of arts for its similarities to human voices, profound artistic conceptions, smooth streamlines, gentle elegance, and flexible degrees. In this way, we can find out the aesthetic patterns of Erhu, improve its artistic taste, and realize the development and prosperity of Erhu arts.