摘要
文章从日本学者竹内好截然不同于中国五四新文艺批评的赵树理长篇小说评价出发,就其人物形象塑造及小说结构两方面,详细探讨了竹内好认为赵树理文学的"新颖性":即以"中世纪"为媒介,坚持其深刻的现实主义,从而实现对"现代文学"和"人民文学"的双重超越。竹内好试图借助赵树理文学异质的现代性,重建战后日本国民文学,拯救日本民族意识。这是其"作为方法的亚洲"视野下的中国学研究,能在思想方式和方法论上提供全新的启示。
Based on the Japanese scholar Takeuchi Yoshimi' s evaluation of Zhao Shuli' s novels which is different from the May 4th new literature criticism, the paper gives a detailed discussion on the "novelty" regarded by Takeuchi Yoshimi of Zhao Shuli' s literature in terms of the novel' s character image-building and structure. The "novelty", in Takeuehi Yoshimi' s opin- ion, means the "middle ages" as a medium, adherence to the profound realism, and the double-transcendence of "modem liter- ature" and "people' s literature". Takeuchi Yoshimi made an attempt to rebuild the post-war Japanese national literature with the help of the modernity of Zhao Shuli' s literature heterogeneity to save the national consciousness of the Japanese people. Takeuchi Yoshimi' s Chinese study from the view of "Asia as a method" provides scholars with enlightenment in terms of ways of thinking and methodology.
出处
《上海师范大学学报(哲学社会科学版)》
CSSCI
北大核心
2013年第3期94-101,共8页
Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)
关键词
赵树理
竹内好
现代文学
人民文学
“作为方法的亚洲”
Zhao Shuli, Takeuchi Yoshimi, modern literature, people's literature, "Asia as a method"