摘要
"九叶派"诗人唐湜在"左倾"泛滥时期写了系列"风土故事诗"。这些"风土故事诗"寓含着构建中国的狂欢诗学与牧歌的倾向,并悖逆反抗着其时的"狂欢化"和"牧歌情调"的政治语境,因为它们是直指"人性复纯"。这显现出唐湜独到的文学史价值的同时,也启示着民族神话、传说在参与中国新诗自我建设进程中不可忽视的地位和意义。
Tang Shi, a poet of "the Jiuye School", wrote a series of " local story poems" when the-lelt-lean-ing ideological trend" was rampant. These "local story poems" implied the trend of constructing the Chinese carni-val poetics and pastoral and ran counter to the then political context of "carnivalization" and "pastoral senti-ments", for they were directed to the "restoration of humanity". All this demonstrates not only Tang Shi' s unique value in the literary history but also denotes the indispensable status and significance of national myths and legends in the self-construction process of Chinese new verse.
出处
《海南师范大学学报(社会科学版)》
2013年第4期52-57,共6页
Journal of Hainan Normal University(Social Sciences)
基金
教育部人文社会科学研究青年基金项目"民族神话
传说意象与中国新诗民族性的建构之研究"(编号:11YJC751047)
湖南省哲学社会科学基金项目"民族神话
传说对中国新诗民族性的影响研究"(编号:2010YB244)
关键词
唐湜
风土故事诗
狂欢诗学
牧歌
人性复纯
Tang Shi
local story poems
carnival poetics
pastorals
humanity restoration