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鲁迅小说电影化元素的呈现与意义 被引量:5

Presentation and Significance of the Cinematic Elements of Luxun's Novels
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摘要 作为真正意义上的文学和思想大家,鲁迅先生影响了几代人。直至今日,对鲁迅先生及其作品的研究还在不同角度以各种方式延伸着。对于当代人来说,这种维度不仅构成了文学创作的重要参量,更成为体验人生的必要准备。鲁迅先生推崇"拿来主义",在他的作品中经常可以感受到其他艺术的影响或痕迹。观看电影是鲁迅先生一生中的"三大瘾"之一,这种持之以恒的偏好也因此形成了他作品的一些特性。因此,根据鲁迅先生的小说,考察其创作中电影化元素的呈现与流变,成为探究鲁迅小说真相的另一种可能。不仅如此,在"视听时代"来临的当今,对这类创作轨迹的追寻也具有深远的现实意义。 As a true sense of the tions. Until today,the study of great literature writer and thinker, Luxun has influenced several generaLuxun and his works has also extended in a variety of ways with different angles. For contemporary people, this dimension does not only constitute the important parameter of literary creation,but also becomes the necessary preparation for life experience. Luxun advocated 'copycat ’. Therefore, in his works readers often feel the influences or traces from other art. Watching movies is one of the three major addictions in Luxun's life,and this persistence of preference formed some characteristics in his works. Therefore,according to Luxun's novels,investigation of cinematic elements’ emergences and changes becomes another possibility by the exploration of the truth for Luxun's novels. What's more,in the coming "audio-visual age", this kind of pursuit for the path of the creation has the profound realistic significance as well.
作者 左亚男
出处 《辽宁师范大学学报(社会科学版)》 2013年第3期410-414,共5页 Journal of Liaoning Normal University(Social Science Edition)
基金 辽宁省社会科学规划基金重点项目(L10AZW002)
关键词 鲁迅小说 电影化元素 “拿来主义” 视听时代 Luxun s novels cinematic elements Copycat audio-visiual age
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参考文献4

  • 1刘思平,邢祖文.鲁迅与电影:资料汇编[M].北京:中国电影出版社,1981.
  • 2爱德华·茂莱.电影化的想象[M].北京:中国电影出版社,1989.302.
  • 3严家炎.新感觉派小说选[M].北京:人民文学出版社,1985..
  • 4威尔伯·施拉姆 威廉·波特.传播学概论[M].北京:新华出版社,1984..

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