摘要
相较于汉赋,六朝辞赋在体式、题材内容、艺术风格等方面都发生了较大的变化。具体来说,这一时期骈赋正式形成,并逐渐演变为律赋。赋体诗化倾向加剧、赋体旁衍文类逐渐增多也表现出诸多与汉赋的不同之处。另外,六朝辞赋的题材内容得以较大程度的开拓,创作倾向、艺术技巧及语言风格也追求新变,体现出时人所特有的审美取向。与辞赋创作相适应,辞赋研究的风气也日趋兴盛。
Compared with Cifu in Han Dynasties, the great changes took place in genre form, theme content, artistic style in Cifu in Six Dynasties. Specifically, the parallel fu officially formed in this period and gradually evolved into metrical fu. The poetic tendency to aggravate and the increasing number of articles under the influence of fu also showed a lot of difference with Han fu. In addition, the theme content in Cifu in six dynasties developed in a great extent. The creative tendency, artistic skills and language style all pursued new changes. This reflected the writer's unique esthetic orientation at the time. Suiting with the Cifu creation, the atmosphere of Cifu research increasingly became prosperous.
出处
《聊城大学学报(社会科学版)》
2013年第3期28-34,129,共8页
Journal of Liaocheng University:Social Science Edition
关键词
六朝辞赋
演进
体式
题材内容
艺术风格
辞赋研究
Cifu in Six Dynasties
evolutiom genre form
theme content
artistic style
Cifu research