摘要
本文简要描述了话剧《WM(我们)》(王培公编剧,王贵导演)在上世纪80年代的论争情况,以此为基础,重点分析了本剧引起论争的三个主要问题:一是"主题"、"格调"与反映生活的"真实性";二是人物塑造上的"非英雄化"、"知青群像"与"典型性";三是舞台呈现的现代形式创新与表演的"低俗性"。试图在新世纪的文化语境中,抵近渐已远逝的那段历史,揭示在各种论争话语背后的历史本相,重新审视《WM(我们)》及其引发的论争,以期更加客观地评估这部戏剧作品及其论争对中国大陆当代话剧发展的意义。
Based upon the debate history upon the drama ＂ WM＂ in 1980s, in this paper, we conclude that it is true in its theme and style, it is typical in its character, and it is vulgar in its performance. Further, in the cultural context in new era, we try to disclose the historical truth and resurvey the debate initiated by the drama ＂ WM＂ , so as to ob- jectively evaluate the significance of the drama and its debate towards contemporary Chinese drama.
出处
《艺术百家》
CSSCI
北大核心
2013年第3期63-68,共6页
Hundred Schools In Arts
