摘要
順治十八年(1661),王士禛出任揚州推官,發動了寄托緬懷故明深意的"青溪遺事畫册"唱和,繼之又發起了三次多人步韻唱和,其中"紅橋"唱和試圖在主題意蘊和創作詞風上有所改變。唱和中的精神風貌及創作風格,雖得到了唱和中部分詞人的認可,但其影響力卻在多人步韻詞壇上因缺少時代生命力而很快消逝。從王士禛首倡的揚州唱和可窺清初詞人心態及清初詞風之嬗遞的深層原因。
In the 18th year of Shunzhi Period,as an official in Yangzhou, Wang Shizhen launched the responsorial activity On the Picture Album of Qingxi Incident. Later,he carried on three Buyun responsorial activities with others,among which Red Bridge attempted to change the theme and the style of Ci works. Although the spirit and style in the responsories were acknowledged by some Ci poets,its impact on the Buyun responsories in the Ci society came to its end in a short period. From the responsories in Yangzhou,the mentality of Ci poets as well as the implied reasons for its style evolution can be explored.
出处
《中华文史论丛》
CSSCI
2013年第2期343-369,共27页
Journal of Chinese Literature and History