摘要
在后现代语境下,符号与真实的关系受到普遍质疑,女性主义者愈来愈清晰地意识到妇女正处于错误表征的丛林之中。在《女权辩护》中,妇女踏上了漫长而艰难的反表征之路。在《一间自己的房间》中,则看到了妇女自我表征的可能性,与此同时,妇女深陷表征/反表征的迷宫之中。在《第二性》与《性的政治》中,明确提出了妇女自我表征的政治诉求与文化诉求。从发生学意义上考察女性主义批评,表征/反表征可以被视为女性主义批评的逻辑起点。
In the post-modern context,the relationship between symbols and realities is greatly questioned.The feminists are increasingly realizing that women are in the world of wrong representations.In "A Vindication of the Rights of Woman",women embarked on a long and difficult road against representations.In "A Room of One’s Own",we found the possible self-representation of women.At the same time,women are entangled in the myth of representation and anti-representation.In "The Second Sex" and "Sexual Politics",women’s pursuit of political and cultural self-representation has been clearly stated.In view of the criticism of feminism,representation and anti-representation can be the starting point for logics.
出处
《吉首大学学报(社会科学版)》
北大核心
2013年第2期90-95,共6页
Journal of Jishou University(Social Sciences)
基金
国家社会科学基金项目(12CZW014)
教育部人文社会科学研究青年基金项目(10YJC751083)
咸阳师范学院科研基金项目(12XSYK002)
关键词
表征
反表征
女性主义批评
representation
anti-representation
criticism of feminism