摘要
在二"南"中,《毛诗序》作者以后妃和夫人为典范,树立了女性规范标准,在十三国《风》中,作者借助对女性行为的批判与赞颂,突显和强化了这些女性规范,从而形成了完整的女性礼教体系。在《毛诗序》中,作者是通过组诗贯讲、"美刺"以及女性形象礼教化解读来构建其女性礼教体系的。《毛诗序》女性礼教体系代表着秦汉《诗》学发展方向,以礼说《诗》,导致《诗》情感的失落;以《诗》传礼,《诗》沦为宣扬女性礼教的工具;学《诗》习礼,促进女性礼教化。
The standard of women, which were displayed by Queen and Lady, had stood in the Zhou Nan and Zhao Nan. The author intensified the standard by praised or criticized the women in the Feng of 13 states. So the system of Confucian dogma about women had composed in the Mao Shi Xu. The author built the system by such ways as the explanation of the serial of composed poetry, the way of praise and criticism and explanation of the of women image in the Song. The system of Confucian dogma about women in the Mao Shi Xu had shown the development of the study of the Song in Han Dynasty that the Song became less love for explained it by Confucian dogma, the Song gradually changed to the tool of propagated the Confucian dogma about women and women gradually became welt - disciplined by learned the Song.
出处
《山东女子学院学报》
2013年第3期65-70,共6页
Journal of Shandong Women's University
基金
教育部人文社会科学研究基金资助项目"谶纬与汉代文学"(项目编号:09YJC751061)
关键词
汉代
《毛诗序》
女性礼教
《诗》学
Han Dynasty
Mao Shi Xu
Confucian dogma about women
the study of the Song