邢侗的书法实践对当今书坛的意义

On the Contemporary Meaning of XING Dong's Calligraphy Practice

位列"晚明四家"之首的邢侗,在明清之际尚"奇"的审美风潮下,始终坚持传统,将二王奉为圭臬,积极刊刻《来禽馆帖》,其自身的书法实践也心摹手追,不离二王谱系,无论是楷书还是行草书都立足于传统,扎根在魏晋隋唐的肥沃土壤之中,为后人留下了珍贵资料。分析其书体,有利于全面认识和了解其书学思想和实践,为当代书法创作和研究者提供借鉴,同时也张扬一种始终不渝、坚守传统的精神。

XING Dong, the first of ＂＇the four＂ scholars in late Ming dynasty＂, always adhered to the tradition and fought against the aesthetie fashion of ＂pursuing odd＂ in the late Ming and early Qing dynasties. He took WANG Xizhi and WANG Xianzhi＇ s handwritings as the pattern, and published Lai Qin Guan Tie. XING Dong＇ s calligraphy practiee in regular script and cursive script were all based on the tradition, and he left precious materials for later generations of calligraphy. Analysing XING Dong＇ s calligraphy works is conduc.ive to understand his thought and practice, which providing reference for calligraphy creation and researchers, as well as broadcasting the spirit of ＂adhere to tradition＂.