摘要
吕天成认为"意境"是戏曲艺术整体美学效果的体现,又是戏曲品评中的综合标准和最终要求,是戏曲品评理论中的核心范畴之一。同时他也清楚地认识到戏曲意境论不等同于诗词意境论,它是叙事性境界和抒情性境界性的统一。这种符合戏曲艺术本体特征的观点,为以后独立、成熟的戏曲意境理论的形成提供了一种理论导向。
Lv Tiancheng regards that ' artistic conception' as one of the core category of drama evaluation theory,which reflects the overall aesthetic effect of drama art and can be used as the comprehensive standard and results of drama evaluation. Meanwhile, he thinks that the drama artistic conception theory is the integrity of narrative and lyrical realm, which differs from poetry artistic conception theory. This review conforms to the characteristics of drama art ontology, providing a theoretical guidance to the formation of the independent and mature drama artistic conception theory.
出处
《包头职业技术学院学报》
2013年第2期40-41,78,共3页
Journal of Baotou Vocational & Technical College
关键词
曲品
意境
戏曲
Qupin
artistic conception
drama