男性视域下的女伶命运探寻——《金大班的最后一夜》与《青衣》合论

Probe into the Actresses’ Fate from the Perspective of Men-on The Last Night of Jin Daban and Qingyi

《金大班的最后一夜》与《青衣》,虽出自不同作家、不同创作背景,却都通过对女性抗争命运的描绘,展示女性在现实社会中渐逼渐窄的生存空间。两部作品的主人公,原本是活在舞台上灯光下的女人,不管是被迫当舞女的金兆丽,还是爱戏如命的筱燕秋,都在现实的逼迫下,没能守住女人立足社会的一点立锥之地,被迫放弃舞台。最终又因两位男性作家不约而同的宿命论倾向,她们的命运被归于某个男人的屋檐下,社会身份也随之丧失。

The Last Night of Jin Daban and Qingyi （ Female Role） came from different background, but through the depiction of the struggles of women＇s destiny, they showed that women in reality were gradually forced into narrow living space. Originally living on the stage, whether Jin Zhaoli forced to be a dancing girl or Xiao Yanqiu who loved playing like her life, the two actresses couldnt keep a tiny bit of land as a woman in the society under the press of the reality, were compelled to quit the stage. Eventually, because the two male writers happened to have a fatalism tendency, the two actresses＇fates were attributed to a man＇s eaves, their social status lost with it.