摘要
唐代玉真公主所书《大唐故金仙长公主墓志》宗法欧阳,秀丽妍逸,骨肉端方,楷法森严。文献记载的唐代善书公主还有临川公主、长乐公主、兰陵公主、晋阳公主、代国公主、鄎国公主。唐代公主书法文化的繁荣,不仅与唐代浓郁的习书风气和完备的教育制度相关,更与她们的家庭教育尤其是与唐代帝王的倡导密不可分。
The Epigraph of JingXian the Late Eldest Princess of the Great Tang brushed by Yuzhen the princess of the Tang Dynasty followed the style of Ouyang Xun, showing a decent and easy design, square and straight lines and skilled techniques of regular script. According historical records, other skilled calligrapher princesses in the Tang Dynasty were the princesses of Linchuan, Changle, Lanling, Jinyang, Daiguo, and Xiguo. The prosperous calligraphy of the rpincesses in the Tang Dynasty had much to do with the strong atmosphere of calligraphy training and the complete system of education. It was also associated with their good family education, especially the strong recommendation of the emperors in the dynasty.
出处
《陕西师范大学学报(哲学社会科学版)》
CSSCI
北大核心
2013年第3期91-96,共6页
Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)
基金
国家社会科学基金项目(09CF084)
陕西省教育厅科学研究计划项目(12JK0320)
关键词
唐代书法
公主
《大唐故金仙长公主墓志》
calligraphy in the Tang Dynasty
princess
The Epigraph of JingXian the Late Eldest Princess of the Great Tang