蕾·阿曼特劳特的诗学观及诗歌特点

Ray Truett of Oman's Poetic View and Poetic Characteristics

作为美国"西海岸语言诗派"代表诗人和"2010普利策诗歌奖"等诸多大奖得主,蕾.阿曼特劳特以其极具先锋色彩和辨识度,又深蕴哲理的诗歌创作跻身美国当代最优秀诗人行列。阿氏诗歌喜欢部分和碎片,尤善把来自不同语境、看似毫不相关甚至相互冲突的各种声音以出人意料的方式组合在一起,旨在揭示所谓自明之理的不可靠性,呈现出独特的抒情性、多声部和开放性等特征。她对"非指称性"观点的质疑、对"诗学留白"的美学追求、对切尔西诗学观所强调的"对抗空间"的尊崇,及其"伪拼贴"创作手法,都充分体现了她独具个性的诗学观和鲜明的创作特点。

Ray Truett, a representative of the ＂West Coast Language Poets＂ of America and winner of the ＂2012 Pulitzer Poetic Prize＂, ranks among the best contemporary American poets with her deeply philosophic po- ems in pioneering and differentiating style. In her poems, Truett likes parts and pieces by putting together by some astonishing means varieties of unrelated and even mutually-conflicting sounds from different contexts to reveal the unreliability of those so-called self-evident ideas, characteristic of original expression of emotion, homophony and openness. Her distinct poetic view and clear-cut characteristics of writing owe much to her query into the view of ＂non-deixis＂, her aesthetic pursuit of ＂poetic blank＂, her worship for the ＂rivaling room＂ in Chelsea＇ s poetics, and her ＂pseudo-patching＂ technique of writing.