摘要
作为"戏曲活化石"的池州傩戏历经辉煌而走向另类沉寂,保护和传承傩戏显得尤为重要,但是首要任务是理解傩戏的价值。胡塞尔说:"回到事情本身。"只有立足于傩戏,探析其价值与意义,传承才不空洞。本文试从池州傩戏其演出剧本演绎出人世情怀、姓氏性别呈现出生命意识、以及傩戏与乡民之间的同体关系,这三方面来探析傩戏与乡民的生命、生活相融。
As the 'living fossil of Chinese operas',Chizhou Nuo Opera went through glories but moved towards the quiet road.Therefore,to protect and inherit the Nuo Opera is significant,but our primary task is to understand its values.Husserl said 'Go back to the thing itself.' Only based on the Nuo Opera to explore its values and significances,the inheritance will not be blank.The paper tried to discuss the relations of the Nuo Opera with villagers' life and livelihood from three aspects,such as the feelings of the world,the life consciousness of the family names and genders and the close relations with villagers in its plays.
出处
《科教导刊》
2013年第14期168-170,共3页
The Guide Of Science & Education
关键词
池州傩戏
生命意识
文化
人生困境
Chizhou Nuo Opera
life consciousness
culture
life predicament