汉至隋唐于阗的佛教绘画样式

Buddhist Painting Forms of Khotan from Han Dynasty to Sui and Tang Dynasty

于阗佛教绘画样式是佛教美术中的重要类型,其形成体现了西亚、希腊、中亚、印度、中原等文化类型的相互影响、博弈和融合过程,笔者尝试从于阗文化的生成机制、于阗佛教绘画不同于中原绘画的特征、于阗画派与于阗佛教绘画样式三个方面来论证这一问题。

Buddhist painting forms of Khotan are the important type of Buddhist art and their formation manifests the process of mutual influences, game playing and integration of cultures, such as west Asia, Greece, Central Asia, India and central China. The author attempts to demonstrate the issue from three aspects of the generation mechanism of Khotan culture, Khotan Buddhist paintings＇ features different from the paintings in central China and schools of paintings and Buddhist painting forms of Khotan.