摘要
《左传》不仅是"经",且是经中唯一一部名副其实的"史"。作为中国历史学的不祧之祖,《左传》中饱涵的"历史美学"意谓不仅对中国历史学的后世发展产生了深远影响,厘析而探求之,对于克服当今历史学"见物不见人"的痼疾亦不失为良方药剂。
Zuo Zhuan (Zuo’s Commentary on Spring and Autumn) is not only a 'classic' but also the only book of 'history' in the 'thirteen classics'. As the origin and source of Chinese historical writing, Zuo Zhuan implies 'historical aesthetics', which not only has had a profound influence on the development of Chinese historical writing, but also will help us overcome the absence of human beings in the shadow of things in current historical study.
出处
《华东师范大学学报(哲学社会科学版)》
CSSCI
北大核心
2013年第3期97-109,154,共13页
Journal of East China Normal University(Humanities and Social Sciences)
基金
2012年度上海市教育委员会创新项目"历史美学的理论与实践"阶段性成果(项目编号:12ZS039)
关键词
《左传》
历史美学
Zuo Zhuan (Zuo’s Commentary on Spring and Autumn), historical aesthetics