摘要
张执浩的诗歌里具有很浓厚的童话因素。在《糖纸》一诗中,他以令人难以置信的自信承诺诗歌的功能。但随着诗歌童话般的吟唱深入现实生活的内核,诗人不可避免地遭遇现实生活的阻击,形而上的分裂逐渐在其诗歌中显现。对其分裂所带来的痛苦,诗人自觉地承担起来,他从"时间"与"空间"两个向度出发,且以"高原"这一意象消解并弥合了诗歌童话与现实生活的二元对立。诗人在经历从"承诺"到"承担"过程的同时,完成了对诗歌童话世界的构筑。
There is a strong element of fairy tales in Zhang Zhihao's poetry. In "Candy Paper", he makes commitments with full confidence. But as his fairy tale poetry goes deep into the realistic core of life, he inevitably meets with the hard truths of life at large, resulting in the metaphysical split in his literary works. However, faced with the pain resulted from the split, the poet chooses to be committed, overcoming the contradictions between the two by creating the image of "plateau" from the perspectives of time and space. Hence a fairy world is established in the process from the poet's "promise" to "commitment'.
出处
《广东广播电视大学学报》
2013年第3期81-85,共5页
Journal of Guangdong Radio & Television University
关键词
张执浩
诗歌童话
结构平衡
Zhang Zhihao. the poetry of fairy tales
struc^lral balance