摘要
《语法学》探讨了经典之书和当代文本的区别,区分了写作传统模式和现代文本创新。具有边界缺失、非线性秩序和多元性等特征的文本旨在解构经典之书。贝克特小说三部曲揭示传统再现的虚幻,强调了小说叙述者、写作过程、作品结尾的不确定性,彰显了多重声音。没有稳定中心,写作的多元性依靠重复存在,文本的自我创造在于不断地重复过去的语言,文本创作不是个人的产物,而是多重声音的结果。
Of Grammatology discusses the differences between a ＂book＂ and a text, between conventional writings and modern texts. Innovative texts characterized by lack of fixed boundary, nonlinear order and multiplicity aims at the destruction of ＂book＂. The novel trilogy of Samuel Beckett reveals the illusion of conventional representation, emphasizes many voices, stres- ses the uncertainty in the narrators, writing processes and the ends of writings. Devoid of a stable center, many voices of multi- plicity are dependent on repetition and the self - creation of texts consists in the repetition of elements from previous texts. Textu- al writings are the products of many voices rather than those of a single voice.
出处
《重庆交通大学学报（社会科学版）》
2013年第3期78-81,86,共5页
Journal of Chongqing Jiaotong University:Social Sciences Edition
基金
江苏师范大学2011年人文社科类一般项目"贝克特小说的哲学意象研究"(编号:11XWB21)成果
