新世纪中国女性电影现实主义创作趋向

The Realism Creation Trend of Chinese Woman Films on the New Century

新世纪以来,中国电影界涌现了一批现实主义女性电影。以这些作品为研究对象,结合法国叙事学家格雷马斯的行动素模式,对其进行对照分析,考查社会变迁中女性电影不同的叙事形态及其创作趋向,进而揭示出女性人生追求的实现内在地包含了社会变革更新的内涵,而非"个人"的幸福之"现代性"所能达成。

There emerged a number of realistic woman films in china since new century. This article analyzes and compares these films in pattern of action elements, explores their individual narrating and creating styles, and then come to conclusion that woman＇s pursuit of personal happiness is intrinsically part of the social change, not just the outcome of personal ＂modernization＂.