摘要
20世纪80年代开始,台湾文坛进入多元化的发展时期。较之大陆长期重视诗歌"写什么",台湾诗坛更重视诗歌"怎么写",强调诗歌文体实验和探索精神。其中,具有视觉美学实验性质的图像诗,就是台湾诗歌形式变革的一个重要表现。图像诗一方面挑战了传统诗歌的美学形态,另一方面拓展了现代诗歌的审美表现空间,给读者带来新鲜新奇的美感享受。
Since 1980s, Taiwan literary world has entered the period of diversified development. "What is written" is given more priority in Chinese poems, whereas "how to write" is emphasized in Taiwan Residents poems high- lighting stylistic experiment and exploration. Thereinto, the concrete poem consisting of characteristics of visual aes- thetic experiment is an important expression of reform of Taiwan poetic forms. Concrete poem has changed the aes- thetic form of traditional poem on one hand, and expanded the aesthetic expression space of modern poems on anoth- er hand, which brings fresh feelings to readers.
出处
《闽江学院学报》
2013年第3期63-67,共5页
Journal of Minjiang University
关键词
视觉美学
台湾诗歌
图像诗
形式变革
visual aesthetic
Taiwan Residents poems
concrete poems
form changes