摘要
"暴力美学"诞生于电影领域,是电影中对暴力的形式美的展现。"暴力美学"从电影领域迅速扩展到当下文化的各个领域,成为一个文化现象。在其不断发酵升温的同时,需要对其做更进一步的审视和研究,在多元决定论引导下,探寻后工业社会、后现代主义、受众心理与暴力美学的关系。
Violence aesthetics derived from the movie field, which is the presentation of the formal beauty in the movie. "Violence aesthetics" spread from the movie field to the cultural field, and has become a cultural phenomenon. With more concern of "violence aesthetics ", we need further study the relationships among post - industrial society, post - modernism, audience psychology and violence aesthetics, under the guidance of surdetermination.
出处
《鸡西大学学报(综合版)》
2013年第6期133-134,共2页
JOurnal of Jixi University:comprehensive Edition
关键词
暴力美学
后工业社会
后现代主义
受众心理
violence aesthetics
post - industrial society
post - modernism
audience psychology