摘要
明代杂剧作家贾仲名的作品,在当时以香艳华丽著称,然而被近现代的各种戏曲史、文学史认为关目曲辞均平凡。考虑到贾仲名杂剧的演出场所和御用文人的创作身份,不难理解在那些看来空洞的伦理掩饰下,杂剧是如何将男女的物欲、情欲或酣畅、或委婉地表达出来。仅以他的三种恋情剧为例,从性别的文化意义视角来解读贾仲名的这类剧作。
Ming Dynasty writer Jia Zhongming' s works were known for being gorgeous at his time. However, many opera historians and literature historians think that his Guan Mu and lyrics are ordinary. Considering Jia Zhongming' s drama performance and his identity, it is not difficult for the readers to understand those hidden eth- ical issues. This paper examines Jia Zhongming's three romance dramas, from the gender perspective.
出处
《重庆邮电大学学报(社会科学版)》
2013年第3期87-90,94,共5页
Journal of Chongqing University of Posts and Telecommunications(Social Science Edition)
关键词
贾仲名
恋情剧
伦理掩饰
性别解读
Jia Zhongming
romance drama~ hidden ethical issue~ gender analysis