摘要
《后羿》作为"重述神话"活动中的中国作品,重新为我们演绎了中国的经典神话。在叶兆言的重构下,后羿与嫦娥这个古老的神话故事被赋予了全新的色彩,向我们展示了古老女神在男性文化中如何一步步走下神坛,从而达到警示现代人的意义:与以男权文化为基础的统治模式相比,现代人需要的是不以等级为基础的伙伴关系模式,即女神世界模式。
Hou Yi reinterpreted of Chinese classical mythology to us , as Chinese works of ＂rewriting myth＂ activity . In Ye Zhaoyan＇ s rewriting , the ancient myths of Hou Yi and Chang E have been endowed with new mesnings to show us the ancient goddess in the male culture how to go down altar step by step. And to warn modern people ： with rule patterns compared which is based on the patriarchal , modern people need goddess patterns , without grade partnership .
出处
《内蒙古民族大学学报（社会科学版）》
2013年第2期42-46,共5页
Journal of Inner Mongolia Minzu University：Social Sciences
关键词
重述神话
后羿
嫦娥
女神
Rewriting myth
Hou Yi
Chang E
Goddess
