众声喧哗中的孔子幽灵——话剧《圣人孔子》的艺术探索

In the Hubbub of the Confucius Ghost——On Art Exploration Drama "Sage Confucius "

先锋戏剧家张广天的剧作《圣人孔子》与《左岸》、《切.格瓦拉》一起被称为"理想主义三部曲",其戏剧艺术探索体现于幽灵化、论辩结构与意识形态混响;诗歌剧的交融与开放式的戏剧表演;自由的选择与理想的坚守三个方面。张广天的话剧总是直指社会现实,具有较强的介入性、批判性与思想性,使得其剧作超越了写实与象征,直抵当代社会价值的冲突、混乱与破碎。

Pioneer dramatist Zhang Guangtian plays ＂ sage Confucius ＂ and ＂ left ＂, ＂ Guevara ＂ cut together are called the ＂ idealism ＂ trilogy, the drama art exploration embodied in the spirit, argument structure and ideology reverberation; poetry plays with a blend of open drama; free choice and ideal to in three aspects. Zhang Guangtian＇s play is always at the social reality, has strong intervention, critical and ideology, which plays beyond realism and symbolism, leading to the contemporary social value conflict, confusion and broken.