摘要
《拜月亭》借助王瑞兰与蒋世隆悲欢离合的爱情故事,表达了关汉卿对人间真情的主张和捍卫。而《幽闺记》则在关剧基础上进一步加工,在完善剧作情节的同时又掺入了含有大量儒家文化思想的内容。两部剧作形态的不同,体现了其背后的文化差异。
The Pavilion for Worshipping the Moon has expressed Guan Hanqing' s opinions and the defense of real feelings by telling a love story of Wang Ruilan and Jiang Shilong. The Lady's Private Room was based on Guan' s drama for further processing. It had been mixed with a large amount of content of Confucianism culture while approximating perfection of the text. These two dramas' pattern are different, each of them reflects the difference of culture.
出处
《内蒙古民族大学学报(社会科学版)》
2013年第3期67-71,共5页
Journal of Inner Mongolia Minzu University:Social Sciences
关键词
儒家文化
游牧文化
形态差异
文化背景
Confucianism culture
Nomnelic Culture
Pattern different
Cultural bacd ground