摘要
通过对《元曲选》与《元曲选外编》的梳理,可以发现,寺庙场景在整个元杂剧的艺术构思中占据着重要位置,并在情节中展现出三种不同形态,其作用也不同。在叙述层面上,寺庙场景又存在着表层功能与深层功能两个层面,较之于其他场景,更能体现元杂剧鲜明的时代性和深刻的思想性。
The author finds that scenes of Buddhist Temples occupy an important position in the artistic design by studying the anthology of Qu and the supplement anthology of Qu in Yuan dynansty. They show three different forms in the storys and their functions are also different. In narratation, there exists suffaee function and deep function. Compared with other scenes, scenes of Buddhist Temples can more reflect the vivid temporal spirit and profound thought.
出处
《山西大同大学学报(社会科学版)》
2013年第2期51-53,57,共4页
Journal of Shanxi Datong University(Social Science Edition)
关键词
元杂剧
寺庙场景
艺术功能
the drama of Yuan dynansty
scene of Buddhist temple
art function