摘要
当前,学术界和司法部门在室外艺术作品合理使用的认定标准上均存在诸多困惑,特别是对"以营利为目的的再行使用"是否属于合理使用尚未形成共识。通过对现行法律、学理观点与典型判决的梳理与剖析,针对我国《著作权法》第22条第1款第(10)项提出如下修改建议:对设置或者陈列在室外公共场所的艺术作品进行临摹、绘画、摄影、录像并向公众提供,但不得以该艺术作品的相同方式复制、陈列以及公开传播,不得以再现该作品的艺术造型为主要用途。
For a long time, fair use in the area of copyright has been regarded as the Sphinx Riddle. Be- hind this designed system is the aggregate measurement between the private rights and interests and the public interests. Even nowadays there are many perplexities for the academia and the judiciary in the aspect of the recognized standard for fair use of outdoor art works. In particular,there is no con- sensus on whether the further use with the purpose of seeking profit belongs to fair use. By arranging and analyzing the existing law, academic viewpoints and typical judgments, this article puts forward the advice of modification as follows:in the light of the subparagraph (10), the first paragraph of arti- cle 22 in Chinese Copyright Law, when copying, drawing, photographing or video recording of an ar- tistic work located or on display in an outdoor public place and providing it to the public, you should not copy, display or provide it to the public in the same mode of the original artistic work, or make reproduction of its' artistic modeling as the main use.
出处
《武汉理工大学学报(社会科学版)》
北大核心
2013年第3期456-461,共6页
Journal of Wuhan University of Technology:Social Sciences Edition