中国钢琴音乐的“文学性标题现象”

"Literary Title Phenomenon" of Chinese Piano Music

中国钢琴音乐大量使用文学性的标题,继承了中国音乐文化的传统,也是当代中国文艺政策的体现。对中国钢琴音乐的"文学性标题"进行归类分析,可以发现中国钢琴音乐创作的题材特征与音乐表现特征,前者表现在以题材的民族内容显示其音乐的民族风格和扬弃了中国传统音乐的母题并有时代的发展,后者则可分为抒情性、造型性、叙事性、象征性。对作品的标题内涵进行解读,有助于理解乐曲的音乐内容,更可以透过此了解中国音乐文化传统以及当代中国的社会文化背景。中国钢琴作品的标题,成为解读中国音乐文化的"文化密码"。

The extensive use of literary titles in Chinese piano music is the inheritance of the tradition of Chinese music culture, and manifestation of contemporary Chinese literary policy. A classification and analysis of the ＂literary title＂ helps to find out the theme feature and music features of the creation of Chinese piano music. The national theme is expressed by music with national style and develops the theme of traditional Chinese music in accordance of the time. The music style can be divided into lyrical, modeling, narrative and symbolic. The interpretation of the connotation of the title helps to understand the content of the music, and even the tradition of Chinese music cukure as well as codes＂ to contemporary Chinese social and cultural background. The title of Chinese piano works is the ＂cultural interpret Chinese music culture