摘要
The claim that many musical works are representational is highly controversial. The formalist view that music is pure form and without any, or any significant, representational content is widety held. Two facts about music are, however, well-established by empirical science： Music is heard as resembling human expressive behaviour and music arouses ordinary emotions. This paper argues that it follows from these facts that music also represents human expressive behaviour and ordinary emotions.
The claim that many musical works are representational is highly controversial. The formalist view that music is pure form and without any, or any significant, representational content is widety held. Two facts about music are, however, well-established by empirical science： Music is heard as resembling human expressive behaviour and music arouses ordinary emotions. This paper argues that it follows from these facts that music also represents human expressive behaviour and ordinary emotions.
