“气”与舞蹈表达的“真实”

“Air”and“Real”in Dance Performance

文章以笔者参与的北京舞蹈学院2012年"舞动无界"中外当代舞蹈创作作品全球首演中,万素编导的《向莫言致敬》作品为切入点,通过在排练、表演过程中的切身体会,总结舞蹈表演中的气息运用,提出以"气"为主,在动作过程中实现"气"、"意"、"心"的相融,追求舞蹈表演中"真实"的身体表达,"真实"的肢体语言,"真实"的生命感悟。

Based on personal rehearsal and performance of Tribute to Mo Fan, created by Wan Su, whose work was dedicated to the world touring performance of Dancing Unbounded 2012 held by Beijing Dance Academy to include contemporary dance works both at home and abroad, the author of the paper discusses the application of breathing in dance performance, pointing out the significance of interaction among “air” , “perception” and “mind” with “air” as a leading force, with the intention of achieving “real” expression, “real” body language and “real” feeling of life in dance performance.