朝鲜族舞蹈技能训练的逻辑性及方法研究

On the Logic and Training Methods of Korean-Chinese Dancing Skills

舞蹈是以人体为表演手段,体现人类情感的形象艺术,是情感和形象,即意识性和物理性的完美结合体。因此,舞蹈技能究其本质,超越了单纯的人体物理运动机能,是以人体为载体、以意识的抑制功能为核心的由意识到物质的转换技能。所以,在舞蹈技能训练中首先要开发人的情感意识机能,充分发挥情感意识的主导作用,使之能够按照情感旨意娴熟自如地支配身体活动,从中建立情感语言系统,这是舞蹈技能训练技法的逻辑及核心。本文以上述的逻辑为理论依据,以朝鲜族舞蹈为例,分析和论述了开发舞蹈意识技能的训练技法及方法论。

Dance is the art of image with a performing method using human body and reflects human emotion. It is a perfect conbination of emotion and image, consciousness and materiality. Dancing skills, therefore, in its essence, go beyond the pure human physical movement function. It is the skill of transforming from consciousness to material based on human body and focus on the inhibiting function of consciousness. Thus, the first thing in the training of dancing skills is to develop a function of emotional consciousness to give full play to the leading role of it, and enable the dancer to govern physical movements skillfully in accordance with emotion and to establish an emotional language system. This is the logic and core of the training techniques of dancing skills. Based on the above logic as the theoretical basis, the essay takes Korean-Chinese dancing as an example to analyze and discuss the training techniques and methodology of developing dancing skills of consciousness.