摘要
通过对汤显祖的"临川四梦"和克里斯托弗·诺兰的《盗梦空间》的文学叙事进行比较,从叙事身份、叙事姿态、叙事手法等方面阐述二者在叙梦文学的创作中存在"寓言性"叙梦和"殖民性"造梦、"因情成梦"的自发性和"潜意识干扰"的强制性以及叙梦的"诗意沉思"和"迷宫式搭建"等叙事差异,从而宽泛了叙梦文学的内涵与意义,使得文化呈现多元化发展的趋势。
Comparison of 'Four Dreams of Linchuan' of Tang Xianzu and 'Inception' of Christopher Nolan,From narrative identity,attitude and technique,we can get two dreams in Narrative Dreams literary creation in 'fable' dream and 'colonial' inception,' love dream' voluntary and compulsory 'subliminal interference' and narrative dream of 'poetic meditation' and 'labyrinth establish' narrative differences,to broad the narrative dreams connotation and meaning of the dream literature,make the culture diversified development trends.
出处
《中华文化论坛》
CSSCI
北大核心
2013年第6期64-68,191-192,共5页
Journal of Chinese Culture
关键词
汤显祖
诺兰
叙梦
差异性
Tang Xianzu
Nolan
Narrative dreams
differents