木斋甄后研究的学术反思

Academic Reflection on Mu Zhai’s Study on Zhen Mi

木斋研究原本将曹植视为古诗十九首的主要作者,当下则在文献资料的基础上,将全部古诗视为一个整体来审视,进一步察觉古诗中包含大量围绕恋情主题,并且带有女性口吻的作品,甄后的重要性因此浮现;曹植与甄后关系的研究也有了更深一层的开展。不论从彼此心理活动的逻辑层面出发,或从双方传情诗歌的史料考证出发,都肯定了部分古诗作品为甄后之作的可能性。

Mu Zhai＇s study originally regarded Cao Zhi as the main author of Nineteen Ancient Poems. Nowadays, on the basis of documents, he regards all ancient poems as ＂one poetry＂, and finds there are many works with love topics and feminine tones in the ancient poems. Thus the importance of Zhen Mi comes into view, and the study of the relationship between Cao Zhi and Zhen Mi has been explored in depth. Whether from the logic level of mental action with each other or from the historical level of love poems between them, we can affirm the possibility that part of those ancient poems are Zhen Mi＇s works.