长沙汉墓随葬动物形象的“器物观念”

The Object Concept of Animal Images Which Buried with the Dead in the Tombs of Han Dynasty in Chang Sha

本文探讨了长沙汉墓随葬品不同"动物"形象所蕴含的不同的人文观念,借用美术考古学家的"器物观念"概念,分析不同"动物"形象背后隐含的古人精神世界。笔者将"动物"形象分为现实动物形象、神话"动物"形象和"动物"组合形象三类,分析其所依次表现出的"事死如事生"的世俗观念、以龙凤为主的神话观念和"天地相协"的理想观念。

This article discusses different humanistic concepts of different “animal” images in funerary objects of Han tombs at Changsha, and borrows the idea of “object conception” from art archaeologist to analyze tile spiritual world of ancient people. Tile author divides all the “animal” images into three categories： animals that exist in reality, mythical “animals”, and “animals” appears in combinational form, and also,the author analyses the “object conceptions” which based on the classification above successively, those are the conception of“serve the death as living” ,the myth conception mainly consists of dragon and phoenix, and ideal conception that the heaven and the earth are harmonious.