涓生:“过客”的前身——《伤逝》三个主题的复调与合奏

Juansheng: the Predecessor of the “Passenger” On the Polyphony and Concerting of the Three Themes in Grieve over the Deceased

小说《伤逝》长期以来存在的争议和不同诠释,主要缘于小说主题的含混与鲁迅对"涓生"态度的含混。事实上,这是一篇关于启蒙知识分子成长的小说。鲁迅通过对一个爱情故事的展示,整合了他一直思考的三个主题——启蒙之初的狂喜与浪漫、面对"铁屋子"式的现实困境的"失态",以及放下重负、坚持行动抗争的出路。在经历了"五四"的狂喜、日常生活和死亡的洗礼之后,忘记"原罪"在虚空之中上路的涓生,正是"过客"的前身。本文通过文本细读,对《伤逝》中鲁迅的思考脉络进行了追溯式的分析。

For a long time, there has been dispute and different explanations on Grieve over the Deceased due to its vague theme and Lun Xun＇s vague attitude towards ＂Juansheng＂. Actually, this is a novel about the growing up of enlightenment intellectuals. By telling a love story, Lun Xun integrates three themes which he has been reflected on for long, i. e. , being ecstatic and romantic at the beginning of enlightenment, being ＂lost＂ when facing the realistic plight of ＂iron room＂, and the final outlet of releasing the heavy burden and persisting on active fighting. Having experienced the ＂ecstatic＂ time of ＂May 4th＂ movement and the baptism of daily life and death, Juansheng forgot the ＂original sin＂ and started off on void. He is just the predecessor of the ＂passenger＂. Through detailed reading of the text, this paper gives a retrospect analysis on Lu Xun＇ s thinking clue in Grieve over the Deceased.