摘要
通过对贾宝玉的小厮和男仆的详细分析,探索出曹雪芹在这些次要人物身上表现出的精妙艺术,即宝玉的十个小厮名字有一种对仗艺术的巧妙设计,而且与大观园的象征意象有一定联系,如同林黛玉葬花和史湘云醉卧等情节隐喻众女儿悲剧命运一样,同样是大观园从"姹紫嫣红"到"众芳芜秽"悲剧历程的影射。
By studying JIA Baoyu＇ house-boys and man-servants, we these minor characters, i.e. ten house-boys＇ names had concealed garden, by which the metaphors used as same as the plots of ＂ LIN drunkenly rests on flowers＂ know CAO Xueqin expressed excellent arts in antithesis and implied the decline of Daguan Daiyu buries flowers＂ and ＂SHI Xiangyun
出处
《河南教育学院学报（哲学社会科学版）》
2013年第4期12-17,共6页
Journal of Henan Institute of Education(Philosophy and Social Sciences Edition)
关键词
《红楼梦》
贾宝玉
小厮
男仆
茗烟
李贵
A Dream of Red Mansions
JIA Baoyu
house-boy
man-servant
Mingyan
LI Gui
