从女性主义视角探寻《深河》中美津子成长历程

Analysis of Mitsuko’s Life Journey in Deep River from Feminist Perspective

最早触及"他者"这个概念的哲学家是黑格尔。波伏娃的女性"他者"理论也是建立在黑格尔的主奴辩证关系基础之上的。在远藤周作的代表作《深河》中,作为"他者"的主人公美津子如何摆脱束缚确立自我意识?作为"女儿"的她又是如何找回与"母亲"之间的"牵绊"并最终走向成熟?文章在女性主义视角下,尝试从美津子未曾提及的"母亲"那探寻她的生命成长历程。

Hegel was among the first philosophers to introduce the concept of ＂the Other＂. Beauvoir＇s feminist theory of ＂Otherness＂ is also built on his master-slave dialectic. In Deep River, Shusaku Endo＇s representative work, how did Mitsuko, the heroine, shake off shackles and develop her self-consciousness as ＂the Other＂？ And as a daughter, how did she find the ＂bond＂ between her mother and her back to the road of maturity？ With a feminist perspective, this paper analyzed the two questions above and tried to explore her life journey from ＂Mother＂ who Mitsuko never talked about.