论威廉斯诗歌的不确定内在性

On the Uncertain Immanence in W. C. Williams’ Poetry

本文通过对威廉卡洛斯威廉斯诗歌中之可变音步、形式与结构的象征图符、视听融合这三个方面的解读,论析其诗歌中独特的非此非彼、亦此亦彼的不确定内在性的表现与特点,探讨威廉斯作为美国20世纪五、六十年代兴起的后现代主义诗歌的精神导师,是如何将外在的物质宇宙和内在的精神世界纳入诗歌的符号和话语系统中,如何身体力行地鼓励人们通过解构-建构把自己从语言的囚笼里解放出来,使人的心灵通过符号承载自身之不断增长的能力来适应和改进现实,以获得自然人生与艺术匠心的完美结合。

By discussing the variable foot, the symbolic icons and the audio-visual integration in William Carlos William＇s poetry, this paper aims to explicate the uncertain immanence embodied in the unique presentation of ＂either this or that＂ and ＂neither this nor that＂ in Williams＇ poems, and to explore how Williams, as a spiritual leader of the postmodem poetry that emerged in the 1950s and 1960s in America, incorporated the external physical universe and the internal mental world into the systems of symbols and language in his poetry, and how he, with his own example, guided people to free themselves from the imprisonment of language through deconstruction- reconstruction, so that the human mind, by constantly increasing the ability to transcribe itself with the help of symbols, can adapt to and transform reality and achieve the perfect combination of natural life and art.