弦外·心声——叶小纲《巴松错》中的文人意趣与当代风格

本文以作曲家叶小纲2012年首演的室内乐作品《巴松错》为研究对象,深入探究这部以西藏圣湖"巴松错"为题,延续了作曲家西藏情结的作品。在整首作品中,作曲家以古筝为核心乐器,与长笛、单簧管、竖琴、小提琴以及大提琴协作配合,惟妙惟肖的表现了巴松错的碧水、群山,并且将湖心岛上的措宗寺的钟声与号角声也展现在作品之中。不仅如此,作曲家在表现唯美的西藏山水的基础上,更多的关注了面对如此风景所带来的心中的震撼与思索。在动荡不安的音乐中表现出纷扰尘世中人的迷惑,并且在"无明"带来的惆怅中出离愤怒,最终在宗教气氛中得到缓解,以平和的心态面对一切。全曲以西藏的圣湖为出发点,落脚在对人生的思考之上,如此寓情于景的创作方式,展现了中国传统文人作品的特质。此外,作品继续延续了叶小纲多元融合的风格,用全面娴熟的技术表现中国传统文化、民族风情,体现出作曲家多年秉承的创作风格,以及作为当代艺术家的身处中国,对话世界,处理并融合多方面文化信息的特点。

This paper to Mr. Xiaogang Ye＇ s chamber music BasongCuo as the research object, which first performed in 2012, in-depth study of the Tibet Lake ＂Basong Cuo＂ in the title, the continuation of the composer Tibet theme works. In the whole piece of work, the composer of Zheng as the core instrument, and the flute, clarinet, harp, Violin and Cello collaboration, lifelike performance of the clear water, mountains, and the lake island of Basong Cuo. The temple bells and horns are heard in this works. Not only that, composer in the basis the beautiful Tibet landscape, more attention to face such scenery brings the heart shock and thinking. Show the normal people confused in the turbulent music, and out of anger in the ＂ unknown ＂ brought melancholy, eventually eased in the religious atmosphere, to peace of mind to face all the past. The whole work in Tibet Lake as a starting point, based on the thinking of life, so combining emotion with scenery creation way, shows the Chinese traditional literati paintings characteristics. In addition, works to continue the fusion of multiple styles, the performance of Chinese traditional culture, ethnic customs with comprehensive music technical skill, reflect Ye xiaogang adhering to the style of composition for long time , with the world, processing and fusion of multiple as well as the contemporary artists in China and dialogue aspects of cultural information.