试论晚清台湾词的文学意义及文化意义

On the Literature and Culture Significance of Taiwan Ci Poetry in the Late Qing Dynasty

清代是词学的全面复兴时期,然而海峡东岸的台湾在入清之后的前二百年里却没有产生一位真正意义上的词人。到了晚清,随着台湾社会文化的发展进步,这种局面发生了改变,同时出现了许南英、施士洁、洪弃生和林痴仙等本土词人。他们都亲身经历了晚清台湾的历史风云和沧桑剧变,特殊的历史环境和生平经历极大地影响了他们创作。晚清台湾词的文学史(词史)意义突出体现在"词史"与"词体革命"两个方面,而历史文化意义则主要体现在"台湾情结"和"爱国深情"两个方面。晚清台湾词作为宝贵的文学遗产,不应被词史研究忽视。

Qing dynasty is the period in which Ci poetry revived in an all-round way. However, there had been no Ci master in Taiwan over the first 200 years in Qing dynasty until the late dynasty when this situation changed with the social development in Taiwan with some local masters that kept coming into being one after another such as Xu Nanying, Shi Shijie, Hong Qisheng and Lin Chixian. They were undergoing the dramatic historical changes and their works were deeply influenced by the special historical environments and their personal experience. The literature significance of the Taiwan Ci poetry in the late Qing dynasty, in fact, mainly lies in two aspects - ＂the history of Ci poetry＂ and ＂the revolution of Ci poetry＂ while the histor ical and cultural significance can be found in another two aspects - ＂Taiwan complex＂ and ＂patriotic feelings＂. Taiwan Ci poetry as a valuable literary heritage in the late Qing dynasty should not be ignored by the word history.