《周易》、《老子》中“复”的概念与观念及其美学意义

The Concept and Idea of "fu 复" in the Zhouyi and Lao zi and Its Aesthetic Significance

"复"的概念与观念最早出现在《周易》与《老子》的文本中,其中主要意思是重复与往复。《周易》中"复其见天地之心"的说法,历代的易学家都给予了高度的关注,并从他们自己的哲学体系出发,对此句话作了非常具有哲学意味的解释。《老子》中"吾以观复"句的"复"字,历史上的解老者很少从思想的角度加以阐发。易、老的历史解释者多重视"复"概念所包含的"重复"与"往复"之义,而相对忽视"复"之中所包含的差异性因素。中国传统诗歌中"山重水复"的意象却包含了重复中的"差异"之美,丰富了"复"观念所具有的意涵。通过对中国诗歌中"山重水复"的审美意象的分析,可以丰富"复"概念与观念中所包含的哲学意蕴。

The concept and idea of ＂fit 复＂ firstly appeared in the texts of Zhouyi and Lao zi. It mainly means repetition and recur- rence. The termfit in the assertion ＂fit is the heart of heaven and earth＂ in the Zhouyi was highly valued by exegetes by periods and has been philosophically interpreted by them from their own philosophical systems. However, seldom had the exegetes of Lao zi ideo- logically interpreted its meaning in the past. Exegetes of the Zhouyi and Lao zi tended to emphasize its meaning of ＂repetition＂ and ＂ recurrence＂ but relatively neglected the element of differentiation of it. The image of ＂mountains and waters appear again＂ in tradi- tional Chinese poetry contains the beauty of ＂difference＂, which enriched the connotations of the idea offu. Analysis of this aesthetic image can enrich the philosophical implications of the concept and idea offu.