摘要
从一般的研究角度出发,诗歌阐释体系使得诗歌本体研究呈现出一种中心话语状态,而弱化了诗歌的前提和基础———诗语。所以,在失衡的诗歌研究体系中,如何寻找到合适的研究角度来平衡整个诗歌阐释体系是当下诗歌研究的关键。而陈仲义先生的新著《现代诗:语言张力论》的突出亮点是将失衡的话语研究"解放"为诗语研究;在价值坚守下做诗语细部的延展;展现了审美突破下的阐释创新。
Starting from a general perspective, poetry interpretation system embodies poetry ontology research with a state of cen- tral language, which weakens the premise and foundation of poetry, i.e. poetry language. So, it is vitally significant to find a suitable perspective to balance the overall poetry interpretation system in the currently unbalanced poetry research system. The shining points in Mr. Chen Zhongyi' s Theory of Modern Poetry: The Tension of Language are, liberating the imbalanced language study for poetic language study; extending poetic language details while sticking to the original value; and displaying innovative interpretation within aesthetic breakthroughs.
出处
《南京理工大学学报(社会科学版)》
2013年第4期44-46,共3页
Journal of Nanjing University of Science and Technology:Social Sciences
关键词
语言张力
现代诗语
陈仲义
《现代诗
语言张力论》
language tension
modem poetic language
Chen Zhongyi: Theory of Modern Poetry: The Tension of Language