杨维桢书法的形态创新及其对后世的影响

The Structural Innovation of Yang Weizhen's Calligraphy and His Influence on the Future Generation

与赵孟頫"复古"秀雅的书风比较,杨维桢的书风具有明显的叛逆意味。他以一种新的视角解构了正统书风,在艺术形态上呈现独具一格的面貌,对后世书风具有一定启示作用。从笔法、结体、章法可看出杨维桢书法在技法形态方面的特点,从风格取法、空间意识和个性化的语言样式可考察其书法审美形态的架构方式。这些都体现了杨维桢书法的创新之处和在书法史上的意义。

Yang Weizhen is apparently rebellious in calligraphy style, whilst Zhao Mengfu is ＂returning to ancient＂ elegance. He decon-structs the traditional calligraphy style from a new perspective and displays a unique artistic form. This paper studies the techniques of Yang＇s calligraphy in terms of brushwork, character structure and writing rules. Moreover, the structure modes of calligraphy forms are examined from the perspective of style tendency, spatial awareness and personalized language modes, so as to discuss his innovation and the significance in calligraphic history. At the same time, he is compared with some bardian calligraphists in Ming Dynasty and Qing Dy-nasty, particular those unruly calligraphists in the late Ming Dynasty, to illustrate Yang Weizhen＇s implication for future generation calli-graphy style.