摘要
吴承恩在《西游记》中塑造了众多的妖魔鬼怪,其中女妖形象在男权文化背景下受到歪曲和歧视,但是女妖形象的生动刻画使它们身上都体现出丰富的人情人性特点,也给我们展示了当时的女性特征,具有独特的文化内涵和文学审美价值,同时批判了封建社会的传统道德观念。
Wu Chengen creates numerous monsters in Journey to the West, among which enchantresses are distorted and discriminated in the background of male-dominated culture, However, the vivid portrayal of these images endows them with rich human characteristics, reflects the characteristics of women at that time, and also criticizes the traditional moral values of feudal society.
出处
《淄博师专学报》
2013年第2期52-55,共4页
Journal of Zibo Normal College
关键词
女妖“原型”出处
女妖形象
人情人性
审美意义
the origin of the prototype of the enchantress
the enchantress image
humanity
aesthetic meaning