摘要
《后天》和《2012》两部电影是美国导演罗兰·艾默里奇的代表作,作为21世纪最有影响力的灾难电影,两部影片作为可解读的文本,其中蕴含的大量具有原型的意象也寄托了文本营造者的时代情感。本文通过运用诺思洛普·弗莱的神话-原型批评理论重释影片中出现的意象及其背后的文化内涵。
＂The Day After Tomorrow＂ and ＂2012＂ are the representative works of American director Roland Emmerich. As the most influential disaster movies in the 21st century, archetypes behind the movie are entrusted director＇ s personal value of times. Through the application of Northrop Frye＇ s myth and archetypal theory, it aims at reinterpreting the imageries in the films and reveals their cultural implication in this paper.
出处
《西昌学院学报（社会科学版）》
2013年第2期59-62,共4页
Journal of Xichang University：Social Science Edition
