论“逸”作为审美范畴在魏晋南北朝时期的确立

Establishment of "Yi" as An Aesthetic Conception in Wei-jin and Southen-northen Dynasties

"逸"是中国古代文论的核心范畴之一。"逸"作为审美范畴在魏晋的确立并不是偶然的,首先是因为"逸"的精神在魏晋的崛起与"逸"美意识的形成;其次,"逸"大量出现在人物品藻领域;最后,"逸"被广泛地用来评文论艺,表现出多重审美内涵。"逸"最终被理性地抽象出来,建构出一个独立自足的"逸"范畴审美体系,真正升格为一个能够多维度的综合反映客观事物本质特征的审美范畴。

The idea of ＂Yi＂ is one of the core conceptions of Chinese ancient literary theory. The establishment of ＂Yi＂ as an aesthetic conception in the Wei-jin and Southen-northen dynasties is by no means coincidence. Firstly, the rise of the spirit of ＂Yi＂ and its aesthetic consciousness existed in Wei-jin Peroid. Secondly, ＂Yi＂ conception emerged a lot in the field of character criticism. Finally, ＂Yi＂ was widely used to comment on literature and art, showing multiple aesthetic connotations. ＂Yi＂ conception, which was finally abstracted rationally, constructed a self-contained aesthetic system, and was truly promoted into a multi-dimensional and comprehensive aesthetic conception that reflected the nature of objective reality.