论明代对许浑诗歌评价毁誉参半的现象及原因

On the Comments on Xu Hun's Poetry by the Ming Dynasty Poetic Circles

唐代诗人许浑,在晚唐至宋元时代影响甚大,至明代诗坛则毁誉参半。褒扬者认为其作堪称"诗家之法程",贬斥者则批评其诗为"大手笔所不屑"。之所以会出现这种现象,除了明人对他的误解外,还因为许诗的版本问题。许浑在其诗集自序中言所收作品共五百篇,于是后人在整理其集时,总要试图达到凡五百之数,结果掺入了大量仿作,影响了明代诗坛对许浑其人其诗的评价。

Xu Hun＇ s poetry had much influence from the late Tang Dynasty to the Song and Yuan Dynasties. But to the Ming Dynasty, his poetry got both praise and blame. The reasons for this phenomenon lay mainly in the problem of his poetry version as well as the misunderstanding of the people to him. In his poetry anthology＇ s pref- ace, he said the number of his poem was five hundred altogether, so people always wanted to expand his works to five hundred, and thus resulted in a large number of copies in his poetry anthology, which affected the evaluation of the Ming Dynasty poetic circles on his poetry.