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也谈“笛上三调”与“清商三调”

Historical Sources about the “Three Keys”
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摘要 根据既见于《宋书》也见于《晋书》中关于泰始十年笛律的记载,一支笛上共有三种调声法,曰正声调法、下徵调法和清角之调。文章认为其为三种调高,分别对应黄钟均、林钟均和仲吕均。清商三调之间的调高关系与笛上三调紧密相关,三调之间都属于近关系调。其宫调层面的意义在中国传统音乐中始终留存。 The article discusses the historical sources regarding tonal theory of the music played by dizi flute, which is recorded in Song Shu ( Book of Nanbei Dynasty) and Jin Shu ( Book of Jin Dynasty). The source mentioned that there were three "related keys" being played on flute, which corresponded with the music features using historically well - known qingshang sandiao ( Three keys of the qingshang music).
作者 漆明镜
出处 《星海音乐学院学报》 CSSCI 2013年第3期11-16,83,共7页 Journal of Xinghai Conservatory of Music
关键词 泰始笛 笛上三调 清商三调 大三调 Dizi in Taishi Period Tonalities Musical Keys
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